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supported by 12 fans who also own “Mary A. Longden”
The real Speed of Sound in Seawater is fast... relatively. This album is the same in that it goes by too fast and you are already putting it on repeat again. :p
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Supine/Spellbound
by So Much Light
supported by 6 fans who also own “Mary A. Longden”
A solid math rock record, lots of content and all of it well worth a listen
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supported by 5 fans who also own “Mary A. Longden”
This is the first album I found that really spoke to me as a young fem. From the simplicity, the bass drum, specifically in landfill is so steady and soothing. I love landfill because it perfectly portrays trauma bonds, sexual or romantic relationships rooted in power imbalance. Being led on, unrequited love, constantly being clueless if someone is a real friend, or a lover. Are they yours or are they ruthlessly rogue. Untameable. Love and hate are such similar feelings, and they often mingle.
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Collaborating remotely with 12 songwriters from all over the world, Kim Edgar emerged with a work of striking art pop.
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Epic, immersive songs that you disappear into, with rich layers of keys and ghostly vocal melodies conjuring a misty dreamworld.
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Here in the Pitch
by Jessica Pratt
On her fourth album, Jessica Pratt blends up 60s pop and bossa nova into a spooky mix of soft psychedelia.
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supported by 5 fans who also own “Mary A. Longden”
This is a great soft pop album. I think I found it under "folk," and it has elements of that (a Jack Johnsony kind of folk), but there's a lot more to Potluck. It's like listening to the radio in one of those rare summers where every popular song is great. The songs are all different from one another, but all memorable and fun. "Frozen Ground" is a perfect quirky pop love song. Great story-telling songwriting on every track.
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